We love the look of your first clothing collection!
What inspired you for when it comes for the design?
Thank you! As I said before, avocados were an important aspect of my upbringing, we even had an avocado tree at home, so using them brings good associations. I have also become very obsessed with their current ubiquity and the effects (good, bad and ugly) of their popularity. I wanted to explore working with them and using apparel as a medium to start conversations about waste, cultural heritage and time.
The silk and linen fabrics used are very luxurious but were found via deadstock fabric providers, so just as the avocado seeds, they are having a second life with this collection. Similarly, the design details share with the natural-dyeing process, a resistance to today’s obsession with speed. Using buttons, instead of zippers, and silk and cotton thread instead of polyester, it encourages both the maker and the wearer to slow down. It was important for me that these garments were recognizable as objects but that their time and context would be more challenging to identify.
How do you try to be sustainable?
Sustainability means something different for many people. For this reason, while I try to be as conscious as possible, I don’t talk about my work as “sustainable” but focus instead on the specific measures I take: using food waste and deadstock fabrics, minimizing my water usage, working with a local factory that treats its employees with dignity… To me, focusing on the concrete actions I take, instead of vague notions, feels more honest and encouraging.
Finally, while there are serious reasons behind the way I work, there can be a lot of humor behind it. Stalking friends so they save their “trash” for me, visiting my factory when it’s one of their employee’s birthday and staying with them for cake, getting a good work-out with the physicality involved in natural dyes. I enjoy the process and emphasize this when talking about my work, as I feel this will be more sustainable in the long run.